I'm a Series Producer with 18 years of experience across British broadcast television, premium documentary and digital-first content.

Having navigated the changing landscape of the industry, I see my experience across documentary, formats, reality and digital as an opportunity to bridge the gap between traditional broadcast storytelling... Read More

I'm a Series Producer with 18 years of experience across British broadcast television, premium documentary and digital-first content.

Having navigated the changing landscape of the industry, I see my experience across documentary, formats, reality and digital as an opportunity to bridge the gap between traditional broadcast storytelling and emerging digital platforms. 

I've worked my way up through productions ranging from 60 Minute Makeover and Embarrassing Bodies to The Secret Life of 4 Year Olds, building a career that spans development, casting, production and edit, alongside the editorial leadership and creative decision-making that comes with delivering ambitious unscripted content. 

My background is firmly rooted in documentary storytelling, particularly films exploring trauma, mental health and the emergency services. My doc credits include the BAFTA-nominated Hospital for BBC Two; Critical for Netflix; the Mind Media Award-winning My Baby, Psychosis and Me for BBC One, and the RTS Award-winning Gift of Life (one of the most important stories I've had the privilege of telling, exploring the extraordinary impact of organ donation.) 

More recently, I've worked on Apple TV+'s Knife Edge: Chasing Michelin Stars, and currently work with Four8TV, helping shape and deliver an unscripted slate featuring British rap artists, Premier League footballers and influential content creators across returning original formats (and Broadcast Digital nominated) Walk in a Bar and Represent. 

No matter the format, what interests me most remains the same: finding compelling stories, quickly building trust with contributors, developing strong creative teams and making content that resonates with audiences. 

I believe the future of unscripted storytelling lies in bringing the editorial ambition and rigour of traditional television into new spaces, without losing the authenticity and human connection that make great stories worth telling. 

And after 18 years, I still love telling a great story. Read Less