| Production Manager / Lot No. 249 - A Ghost Story for Christmas / BBC 1 / Adorable Media / Sep 2023 to Oct 2023 / BBC |
| Production Title: Lot No. 249 - A Ghost Story for Christmas Company: Adorable Media Line Manager: Hannah Clark Programme Length: 30 minutes Season: 1 Genre: Drama Sector: Broadcast Television |
| Production Manager / Greatest Night In Pop / Paramount+ / Dorothy St Pictures / Aug 2022 to Jun 2023 / MRC Entertainment |
| Production Title: Greatest Night In Pop Company: Dorothy St Pictures Line Manager: Donna Ferry Programme Length: Feature Length Season: 1 Genre: Documentary Sector: Broadcast Television Description :
@DonnaFerry |
| Production Manager / Saved & Remade Workshop / Really / Red Sky Productions / Jun 2022 to Aug 2022 / Discovery |
| Production Title: Saved & Remade Workshop Company: Red Sky Productions Line Manager: Ross Harper / Derek Livesey Programme Length: 50 minutes Season: 2 Genre: Factual Sector: Broadcast Television |
| Production Manager / Love Box In Your Living Room / BBC 2 / Balloon Entertainment / Mar 2022 to Jun 2022 / BBC |
| Production Title: Love Box In Your Living Room Company: Balloon Entertainment Line Manager: Val Ames Programme Length: 60 minutes Season: 1 Genre: Comedy Sector: Broadcast Television |
| Production Manager / The Matrix Reloaded & The Matrix Revolutions Promo / Warner Brothers / Nov 2021 to Dec 2021 |
| Production Title: The Matrix Reloaded & The Matrix Revolutions Promo Company: Warner Brothers Line Manager: Marios Hamboulides Genre: Promos Sector: Online Content |
| Production Coordinator / The Larkins Christmas Special / ITV / Objective Media Group / Sep 2021 to Oct 2021 |
| Production Title: The Larkins Christmas Special Company: Objective Media Group Line Manager: Cat Mcnamara Programme Length: 60 minutes Season: 1 Genre: Drama Sector: Broadcast Television Description :
The Larkins Christmas Special follows on from ITV's series, The Larkins (an adaption of The Darling Buds of May)
My role as a Production Coordinator were:
Child License
Art Dept Clearances
Music Clearances
Crew Contracts
DPO for POs
Production Meeting Attendances
Read Through Coordinating
Working closely with 2nd AD for logistics for talent cars, timings and accomodation, chaperones.
Onsite and offsite teachers
Facilities |
| Production Manager / The Witchfinder / BBC 2 / Baby Cow Productions / Apr 2021 to Aug 2021 |
| Production Title: The Witchfinder Company: Baby Cow Productions Line Manager: Caroline Wyatt Programme Length: 30 minutes Season: 1 Genre: Comedy Comedy Drama Sector: Broadcast Television Description :
A 6 part comedy series of witchfinder general and a believed to be witch, staring Tim Key, Daisy May-Cooper and Jessica Hynes. Written and Directed by Neil and Rob Gibson.
My role:
Crew Contracts
Cast Contracts
Liaising with cast agents
Cast and crew accommodation, travel arrangements
Devil Horsemen assessments for cast
Cast Medicals
Production Diary
Unit List
Child Licenses
Crew timesheets and payroll
Software used for contracting - POP and DOP for finances/PO
Crew DOODs spreadsheet for accounts payable with agreed per diems/travel/mileage
Liaising with covid team for orders and diary management for cast and movements/crew on dalies |
| Production Manager / The Mezzotint / BBC 2 / Adorable Media / Jan 2021 to Mar 2021 |
| Production Title: The Mezzotint Company: Adorable Media Line Manager: Isibeal Balance Programme Length: 30 minutes Season: 1 Genre: Drama Drama: Short Film Sector: Broadcast Television Description :
Mark Gatiss Christmas Ghost Story 'The Mezzotint'
My role as a PM;
Attend Recce, locations for base - following covid regulations with our covid supervisor
Keeping across budget at all times
Reconciliations
Speaking closely with DOP, DIT, Art Dept
Ordering Equipment and negotiation
Facilities - ordering and overseeing with our Locations Manager
Hard Drive Coordinating |
| Production Coordinator / A Seat At The Table / YouTube / Silverback Films / Nov 2020 to Apr 2021 |
| Production Title: A Seat At The Table Company: Silverback Films Line Manager: Claire Whitby-Smith Programme Length: 30 minutes Season: 1 Genre: Documentary Sector: Broadcast Television Description :
A Seat At The Table, see's Jack Harris embark a global journey to give activists a seats at the table at COP26.
Working in the depths of the pandemic to get Jack around the globe without a trace of carbon footprint, I had to work closely with our researchers, coming up with ideas for Jack to leave the UK to embark on his travels, without the use of a single airplane.
Contacting and making good relationships with fixers in Morocco, South Africa, Maldives, China and Asia; entering from China, Thailand, Singapore.
Communicating with sailing ships in Cornwall for Jack and the crew to travel and sleep on, coordinating for our pilot and his flying go kart from the UK to arrive into Morocco for Jack to fly around Morocco's solar farm. South Africa to visit: Kelp Forest, dried dams (from draught), Table Table Top Mountain - for drone shots and filming.
Liaising with fixers for our recces, drone licensing, filming permissions, logistics of travel.
I had to monitor our carbon footprint for each trip and come up with new ideas/solutions to travel.
Reconciled each trip |
| Production Manager / 0121 / BBC 3 / Fudge Park Productions Ltd / Oct 2020 to Nov 2020 |
| Production Title: 0121 Company: Fudge Park Productions Ltd Line Manager: Suzanne Knight Programme Length: Under 30 minutes Season: 1 Genre: Comedy Sector: Broadcast Television Description :
I absolutely loved working on 0121 with Fudge Park; Suzanne Knight, Phil Gilbert and Director Charlotte Regan.
A new comedy pilot for BBC3, filming on location in SE London; Managing location base setup for covid and general production needs i.e; wardrobe, green room, separate tables and toilets for those who had been PCR tested. Making unit base and location covid secure and all correct PPE was ordered and liaising with crew regarding PPE. Contracting crew, negotiating equipment deals, crew deals, logistics of transportation of all equipment, liaising with Location Manager on logistics; parking as close as possible to our location, parking at unit/unit move, cost reconciliation, risk assessment including covid-19 risks/protocols, liaising with 1st AD and producers regarding scheduling. Attended shoot for any on-set needs from the crew, cast, production team. |
