Under a year working in the industry and I have script supervisor credits on two indie feature films and several shorts. I love working with a wide variety of material, from bloody flashback-driven horror comedies to dark character-based dramas. Anything to keep me on my toes.I have experience 2nd and 3rd ADing, as well as producing some short fi... Read More

Under a year working in the industry and I have script supervisor credits on two indie feature films and several shorts. I love working with a wide variety of material, from bloody flashback-driven horror comedies to dark character-based dramas. Anything to keep me on my toes.I have experience 2nd and 3rd ADing, as well as producing some short films of my own. My transferable skills in scheduling, budgeting, crowdfunding and liaising with cast/crew/locations etc. allow me to make informed decisions in the continuity department.Script supervising isn't just making notes for the editor. It's nurturing relationships, getting the best out of the crew and realising the director's vision as best as possible while juggling diplomacy, actors' preferences and prioritising what to not stress the director with.My firm work philosophy is that no two directors, crews or films are the same. I don't restrict myself to my "favourite" software, though I'm highly experienced with both industry-standard programs Scripte and Skarratt. I strive to use whatever suits the shooting style and film the best, even if that's going paper-based and using homemade excel spreadsheets.I enjoy working with other talented filmmakers to help bring their vision to reality in any capacity I can. I'm always learning, always trying, always pushing, always admitting my mistakes and learning from them and the cycle continues - hopefully for a long time yet. Read Less