| Camera Operator - Steadicam / Square UK & Huffington Post - Small Business Stories / Stepping Stone Media / Mar 2021 to Mar 2021 |
| Production Title: Square UK & Huffington Post - Small Business Stories Company: Stepping Stone Media Line Manager: N/A Genre: Commercials Sector: Commercials Description :
Small Business Stories is an online branded content series for Square UK and Huffington Post. Highlighting how businesses were able to use Square payment terminals during the COVID-19 pandemic. I was one of the camera/gimbal operators on this shoot, capturing B-Roll for each of the films. Shot on the Sony A7s III and DJI RS2 |
| Director Of Photography / JoMalone - Spring/Summer 2021 / Wriggles & Robbins / May 2021 to May 2021 |
| Production Title: JoMalone - Spring/Summer 2021 Company: Wriggles & Robbins Line Manager: Tom Wrigglesworth Genre: Commercials Sector: Commercials Description :
I was the DOP on a project for Jo Malone with the launch of their new range of spring fragrances. Shooting products in a studio and using a top-down rig for a sequence of photographs been laid on a table. In post-production the image was then cropped in, to create a dynamic sequence of photographs with VO explaining the inspiration behind the fragrence.
Shot using the RED Helium 8K camera and Canon C-NE Lenses |
| Camera Operator / Videoheads / Videoheads Ltd / Feb 2016 to Feb 2022 |
| Production Title: Videoheads Company: Videoheads Ltd Line Manager: N/A Genre: Factual Entertainment Sector: Broadcast Television Description :
Videoheads is a kit and crew hire company based in Kensal Green, London. I was one of the in-house camera operators, sound recordists and senior kit room technicians. Working on a large array of different formats from broadcast television, branded content, corporate, documentary, tv commercials and much more. |
| Camera Operator / BBC Love In The Flesh / BBC 3 / Ten66 Television / Sep 2021 to Sep 2021 |
| Production Title: BBC Love In The Flesh Company: Ten66 Television Line Manager: Leanne Troop Programme Length: 50 minutes Season: 1 Genre: Entertainment Factual Observational Documentary Reality Television Fixed Rig Sector: Broadcast Television Description :
8 x 45’ Episodes for BBC3 (Coming soon in 2022)
Love In The Flesh is a new dating show for BBC3 presented by Zara McDermott. With many couples meeting online during the covid-19 pandemic, these couples will meet in the flesh for the first time on the show. With a mix of fixed rigs camera inside the villa and PSC crew filming dates/activities.
I was one of the PSC camera operators on this production shooting on the Sony FX9, Sony FX6 and Sony A7s III. |
| Director Of Photography / BBC Lifeline - Ben Fogle & Tommy's Charity / BBC / Mar 2021 to Mar 2021 |
| Production Title: BBC Lifeline - Ben Fogle & Tommy's Charity Company: BBC Line Manager: Charlotte Denton Programme Length: Under 30 minutes Genre: Charity Sector: Broadcast Television Description :
BBC Lifeline is a charity program that is run monthly on BBC1 to help raise money for charities. I was the DOP on the episode featuring Tommy's Charity with Ben Fogle. Lighting and camera operating the presenter links with Ben and Marina Fogle. Shot on the ARRI Amira and Zeiss Supreme Primes |
| Camera Operator / The Charlotte Show - Master Interviews / Appeal TV and Appeal Films / Oct 2018 to Jan 2019 |
| Production Title: The Charlotte Show - Master Interviews Company: Appeal TV and Appeal Films Line Manager: NUROON MIAH Season: 2 Genre: Reality Television Sector: Broadcast Television Description :
Shooting master interviews for the Charlotte Show Series 2+3 with Charlotte Crosby and supporting cast. I was one of the lighting camera operators for the master interviews, setting up lighting for the green screen and shooting the interviews on the Canon C300 Mk II. |
| Camera Operator / Would You Rather / Channel 4 / Parable Works / Apr 2021 to Apr 2021 |
| Production Title: Would You Rather Company: Parable Works Line Manager: Tom Jones Programme Length: Under 30 minutes Season: 2 Genre: Factual Entertainment Sector: Online Content Description :
An online series for Channel 4s social media channels, with contributors discussing and debating a large array of topics. With some videos reaching millions of online views on Channel 4s Facebook page. I assisted with lighting the studio spaces and operated one of the cameras for this series. |
| Focus Puller / ASDA 'Thank You' TV Commercial Christmas 2020 / HunkyDory Films / Dec 2020 to Dec 2020 |
| Production Title: ASDA 'Thank You' TV Commercial Christmas 2020 Company: HunkyDory Films Line Manager: Hunky Dory Genre: Commercials Sector: Commercials Description :
ASDA 'Thank You' TV commercial was directed by David Symmons with DOP Ben Spence. I was the 1st AC/Focus Puller for this commercial, shooting on the ARRI Amira with Zeiss Supreme Primes. |
| Focus Puller / National Theatre: A Taste of Honey (Music Video) / National Theatre / Dec 2019 to Dec 2019 |
| Production Title: National Theatre: A Taste of Honey (Music Video) Company: National Theatre Line Manager: Ali Deacon Genre: Arts & Music Sector: Music Promos Description :
For this production, we filmed a music promo for National Theatre's, A Taste of Honey. This was filmed on the ARRI Alexa Mini LF with Zeiss Supreme Primes. I was the 1st AC which involved setting up the camera and focus pulling on the music video.
The project can be viewed here: https://www.youtube.com/watch?v=XkLQpemABCA |
| Camera Operator / Dancing on Ice 2020 - Masterclass (Episode 1) / ITV Studios / Oct 2019 to Oct 2019 |
| Production Title: Dancing on Ice 2020 - Masterclass (Episode 1) Company: ITV Studios Line Manager: Sam Rees-Jones Season: 8 Genre: Reality Television Sector: Broadcast Television Description :
For this project, I was the 'B' Camera Operator for the first masterclass and cast reveal for Dancing on Ice Series 2020. This was filmed across two days at Alexandra Palace Ice Rink. Operating on the Sony FS7 Mk II and the Canon 50-1000mm telephoto lens. I was also assisting the setup of the other six cameras on location and managing media across the shoot. |
