| | Job Role | Production Title | Channel | Company | Date | Network Executive |
Director / Inside the FBI: The 70s / Disney+ / October Films / Jun 2023 to present / Josh Cole |
Production Title: Inside the FBI: The 70s Company: October Films Line Manager: CAROLINE DALY Programme Length: 50 minutes Season: 1 Genre: Specialist Factual Sector: Broadcast Television Description: The series explores how this once proud law enforcement agency had to rebuild itself and its reputation under the onslaught of relentless crimes – the truths they uncover have shocking legacies that still reverberate throughout the U.S. to this day. The show takes a look at a wide range of events from the decade, from the Watergate scandal and the bureau’s own internal corruption to a shocking escalation in domestic terror, the birth of alarming cults and the proliferation of serial killers, each new threat drives the FBI to adapt or die in a country undergoing a rapid and profound evolution. |
Director / Lost Cities with Albert Lin / National Geographic Channel / Raw TV / May 2022 to Jun 2023 |
Production Title: Lost Cities with Albert Lin Company: Raw TV Line Manager: Emma Wood Programme Length: 50 minutes Season: 2 Genre: Factual Entertainment Sector: Broadcast Television Description: Lost Cities combines action, adventure, high-tech archaeology, breath-taking visuals and genuine exploration to make headline grabbing discoveries and emotional stories that bring the mysteries of the past vividly to life.
Writing and directing 1 x 50-minute episode, I am drawing on my skills in factual docs, CGI and shooting in extreme conditions to create a high-octane, stunt-filled, presenter-led adventure series that has history and storytelling at its heart. |
Director / Colosseum / History / October Films / Mar 2021 to May 2022 / Mary Donahue |
Production Title: Colosseum Company: October Films Line Manager: Rosie Kingham Programme Length: 50 minutes Season: 1 Genre: Dramatised Documentary Sector: Broadcast Television Description: A premium 8-part drama-documentary series vividly brings to life the rise and fall of the Roman Empire through the lens of one of the most exhilarating and brutal arenas in the history of humanity - the Colosseum.
From writing through to delivery, I was able to draw upon my storytelling skills, and my knowledge of CGI and VFX to craft complex and challenging films that brought the majesty and horror of the world-famous amphitheatre to the screen.
2 x 50 minutes |
Director / SECRETS OF THE SOLAR SYSTEM. / CuriosityStream / Bigger Bang / Jan 2019 to Dec 2019 |
Production Title: SECRETS OF THE SOLAR SYSTEM. Company: Bigger Bang Line Manager: Donna Blackburn Programme Length: 50 minutes Season: 1 Genre: Factual Science Sector: Broadcast Television Description: I wrote, shot , directed and edit 3 x 50 minutes of this series.
Given total creative control, this is undoubtedly my proudest television that I’ve been involved with.
It is currently being sold in territories globally. |
Series Director / Revolutions / PBS / Bigger Bang / Mar 2018 to Sep 2018 |
Production Title: Revolutions Company: Bigger Bang Line Manager: - Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: As Series Drama Director I have created a technique that allows this 2019 series to depict historical events in an exciting new way. From the ancient deserts of Baghdad, Leonardo Da Vinci, through to the modern age - you’ve never quite seen them like this before. As well as scripting, shooting, and designing the drama for the series, I also took the lead as GFX artist. |
Director / NO MAN LEFT BEHIND / National Geographic Channel / Raw TV / Nov 2015 to Jun 2016 |
Production Title: NO MAN LEFT BEHIND Company: Raw TV Line Manager: - Programme Length: 50 minutes Season: 1 Genre: Dramatised Documentary Sector: Broadcast Television Description: Stranded in Enemy Territory, Hunted by hostile forces. And yet they made it back home. This visceral new series for National Geographic fuses gripping personal testimony and high-octane dramatizations with haunting present day actuality filming of real life war heroes who walk among us.
I significantly contributed to the series format, wrote scripts, interviewed contributors, directed and shot actuality, directed drama shoots and co-edited 2 episodes of this new series including the premiere. |
PD (Self Shooting) / CHALLENGE THE DESERT / National Geographic Channel / Arrow Media / Dec 2014 to Jun 2015 |
Production Title: CHALLENGE THE DESERT Company: Arrow Media Line Manager: - Programme Length: 50 minutes Season: 1 Genre: Documentary Sector: Broadcast Television Description: The Honda motorcycle team take on the challenge of the Dakar rally - the toughest race in the world. But they will
attempt to get the better of the merciless and brutal terrain using an experimental high tech bike built from the ground
up in just a year. As director, producer, camera op and editor I have been able to paint a unique picture of the 2 week
9000km rally with a combination of intimate portraiture, top notch storytelling and kick ass visuals. |
Director / ULTIMATE WARFARE: THUNDER RUN / National Geographic Channel / Arrow Media / Jul 2012 to Oct 2012 |
Production Title: ULTIMATE WARFARE: THUNDER RUN Company: Arrow Media Line Manager: Thomas Viner Programme Length: 50 minutes Season: 1 Genre: Dramatised Documentary Sector: Broadcast Television Description: I filmed exclusive interviews with military veterans and dramatic reconstruction on location in Morocco and combined them with archive and CGI to tell an amazing story from the second Gulf War. Tightbudget and challenging deadlines were overcome to make a dramatic programme that was moved from mid schedule to become the series premiere. |
Creative Director / Sharat Al Rayyan / Al Rayyan / Ayn Al Shaheen / Oct 2013 to Jul 2014 |
Production Title: Sharat Al Rayyan Company: Ayn Al Shaheen Line Manager: - Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: As series producer I took a show that could have been just another run off the mill reality series and enthused it with an epic grandeur, riveting storytelling and the highest production values. I took charge of shoots of up to 15 cameras, oversaw 5 edit suites and galvanised a young team to strive for absolute perfection. In many ways this series is amongst my proudest moments as it unrelentingly stuck true to a vision and defied and elevated the definitions of the genre. |