| | Job Role | Production Title | Channel | Company | Date | Network Executive |
Executive Producer / First-Class Airline / Channel 4 / Lion Television / Oct 2017 to present / Lucy Leveugle |
Production Title: First-Class Airline Company: Lion Television Line Manager: Lisa Edwards Programme Length: 60 minutes Genre: Factual Entertainment Sector: Broadcast Television |
Series Producer / The Secret Life of the Holiday Resort / Channel 4 / Lion television / Mar 2016 to Dec 2016 / Lucy Leveugle |
Production Title: The Secret Life of the Holiday Resort Company: Lion television Line Manager: Lisa Edwards Programme Length: 60 minutes Season: 1 Genre: Factual Entertainment Sector: Broadcast Television Description: - Created & developed 3x 60’ fixed rig-style series – both editorially and visually- with own access from concept through to delivery at channel.
- Crewed team for regional production, ran shoot, managed all access & complex compliance from start to finish.
- Cut first episode & simultaneously oversaw two others in offline. Produced post for all eps.
- Liaised with and managed relationship with C4 Commissioning and C4 Legal throughout.
|
Executive Producer / 20 Kids and Counting / Channel 4 / Lion Television / Sep 2017 to present / Ian Dunkley |
Production Title: 20 Kids and Counting Company: Lion Television Line Manager: Lisa Edwards Programme Length: 60 minutes Genre: Factual Entertainment Sector: Broadcast Television Description: Britain's largest family pledge to complete their family with their 20th child. But will everything go to plan? |
Series Producer / Junior Doctors: Blood. Sweat & Tears / BBC 3 / BBC / Mar 2017 to Aug 2017 / Rachel Ashdown |
Production Title: Junior Doctors: Blood. Sweat & Tears Company: BBC Line Manager: Lucy Shepherd Programme Length: 30 minutes Season: 4 Genre: Factual Entertainment Sector: Broadcast Television Description: • Visual & format update of new 8 x 30’ series creating new editorial style and defining series look.
• Creating ‘digital rig’ for junior doctors and bringing content to life visually on-screen.
• Dealing with complex compliance issues, managing access with hospital & overseeing large team, including self-shooting PD teams on location & story producing team.
• Driving narratives and storylines for each doctor on shoot whilst overseeing 8 episodes in edit. Running shoot and edit concurrently as well.
|
Edit Producer / The Tube: Going Underground / Channel 5 / Blast! Films / Dec 2015 to Mar 2016 / Guy Davies |
Production Title: The Tube: Going Underground Company: Blast! Films Line Manager: Alistair Pegg Programme Length: 60 minutes Season: 1 Genre: Documentary Sector: Broadcast Television Description: Cut 2 x 60' episodes of new obs doc series on The Tube. Built multi -story narratives, scripted both eps and took both episodes from rough cut to final cut with Exec and Channel Commissioner. |
Edit Producer / 24 Hours in A + E / The Garden Productions Ltd / Sep 2015 to Oct 2015 |
Production Title: 24 Hours in A + E Company: The Garden Productions Ltd Line Manager: Spencer Kelly Genre: Documentary Sector: Broadcast Television Description: Asked back by The Garden to cut two episodes simultaneously over 7 weeks to manage all compliance and contributor interviews too. |
Edit Producer / Trauma Doctors series 3 / Channel 5 / Curve Media Ltd / Jul 2015 to Aug 2015 / Lucy Willis |
Production Title: Trauma Doctors series 3 Company: Curve Media Ltd Line Manager: Alison Gregory Genre: Documentary Sector: Broadcast Television Description: During an 8 week gap between end of shoot and start of edit on 24 Hours in A & E, I was troubleshooted in to cut one full episode of the 9pm primetime series TRAUMA DOCTORS on C5 and complete the rest of another that the SP had previously been cutting. |
Producer/Director / 24 Hours in A & E / Channel 4 / The Garden Productions Ltd / May 2015 to Oct 2015 / Madonna Benjamin |
Production Title: 24 Hours in A & E Company: The Garden Productions Ltd Line Manager: Spencer Kelly Programme Length: 60 minutes Season: 12 Genre: Documentary Sector: Broadcast Television Description: I worked as Senior Gallery PD on the shoot on location at St George's Hospital and then as Edit Producer on 2 x 60' eps cutting at the same time over 7 weeks. |
Producer/Director / First Dates C4 / Channel 4 / Twenty Twenty / Dec 2014 to Jan 2015 / Madonna Benjamin |
Production Title: First Dates C4 Company: Twenty Twenty Line Manager: Simon Dickson Programme Length: 60 minutes Season: 3 Genre: Documentary Sector: Broadcast Television |
Edit Producer / 10,000 BC / Channel 5 / The Garden Productions Ltd / Nov 2014 to Dec 2014 / Simon Raikes |
Production Title: 10,000 BC Company: The Garden Productions Ltd Line Manager: Spencer Kelly Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: I cut episode 4 of this observational documentary series for a 9pm 10 part series for C5 |
Edit Producer / 24 Hours in A & E / Channel 4 / The Garden Productions Ltd / Sep 2014 to Oct 2014 / Madonna Benjamin |
Production Title: 24 Hours in A & E Company: The Garden Productions Ltd Line Manager: Hamo Forsyth Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: I worked as Senior Gallery PD during the 7 week rig shoot at St George's Hospital, Tooting and then worked as Edit Producer cutting 2 programmes simultaneously over 7 weeks. |
Producer/Director / 24 Hours in A & E (s10&11) / Channel 4 / The Garden Productions Ltd / May 2014 to Jul 2014 / Madonna Benjamin |
Production Title: 24 Hours in A & E (s10&11) Company: The Garden Productions Ltd Line Manager: Hamo Forsyth Programme Length: 60 minutes Season: 10 Genre: Documentary Sector: Broadcast Television Description: I worked as Senior Gallery PD producing live content across 4 streams and making editorial decisions on the spot about which stories to follow whilst running a team of 12 in the gallery and on the floor at the same time. |
Head Of Development / My Granny the Escort / Channel 4 / Minnow Films / Oct 2012 to Dec 2013 / Nick Mirsky |
Production Title: My Granny the Escort Company: Minnow Films Line Manager: Morgan Matthews Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: Whilst running the development team at Minnow, I achieved 3 x 60’ series, 4 x single 60’ commissions (My Granny The Escort- nominated for a Grierson, Tsunami: 10 Years on, Kids n Guns, Britain’s Poshest Pets) & 5 funded developments.
I also built key relationships for highly-sensitive access including Pupil Referral Units, Harrods Pet Spa, Star College (3 x 60’ for BBC3 ‘The Unbreakables: Life and Love on Disability Campus), major UK brands & presenting talent too. |
Head Of Development / Up In Flames: Mr Reeves and the Riots / BBC 1 / BBC / Sep 2015 to Nov 2011 / Charlotte Moore |
Production Title: Up In Flames: Mr Reeves and the Riots Company: BBC Line Manager: Dominic Crossley-Holland Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: Worked alongside 2 producers and Exec to gain access, pitch access for successful commission and begin filming sequences before crew was confirmed. |
Head Of Development / Make Me A New Face: Hope for Africa's Forgotten Children / BBC 2 / ORTV / Aug 2008 to Aug 2009 / Various inc Charlotte Moore and Emma Swain |
Production Title: Make Me A New Face: Hope for Africa's Forgotten Children Company: ORTV Line Manager: Christopher Mitchell Programme Length: 60 minutes Genre: Documentary Sector: Broadcast Television Description: Gained exclusive access to a charity and medical team travelling to Ethiopia to film as well as securing talent Ben Fogle to front the programme. |
Head Of Development / History BBC factual / BBC 4 / BBC / Jul 2010 to Sep 2010 / Martin Davidson |
Production Title: History BBC factual Company: BBC Line Manager: Dominic Crossley-Holland Programme Length: 30 minutes Genre: History Sector: Broadcast Television Description: Managed team to write treatments for the 6 x 30' series and then pitched with other ideas to BBC4 Controller, Richard Klein, alongside Execs. |